Lunar Shadow – Far From Light (2017) –Though this is only their debut album, these German heavyweights were somehow unable to pull from all of the best and most notable sources of NWOBHM, which range from Saxon and Diamond Head to good old Iron Maiden. Notably, they’ve also been heavily compared to that of another act I am truly fond of, Dark Forest. But here comes the funny thing – even though they’re a German act, they sound almost profoundly British. It’s quite amazing really, even frontman A. Vornam seems to be able to pull off a little bit of Paul McCartney in his vocal tone, which is quite staggering to say the least. These same aesthetics might be why so many people were driven to the more simplified Ghost, even though I’ve lost all the respect that I’ve ever had towards that band, almost coming to the point of taking down one of my reviews for their albums (It hasn’t come to that yet, unfortunately – but I hate to have promoted such a slave labor business operation). In any case, fans of nameless ghouls might find themselves quite mesmerized by an act like this, which embodies such a thrilling level of melody that I’m nearly awestruck. I didn’t exactly catch this on the first listen, but you’d better believe that I’m hearing it now. Without batting an eye, I can see that lead and rhythm guitarists Max “Savage” Birbaum and K. Hamacher can clearly weave some of the most complex and colorful tapestries that I’ve heard in a good while, and I mean that. What’s more, is that the record has a wonderful production job where a slight mix between raw instrumentation and clarity has been observed with tremendous results. Far From Light almost seems like a classical performance in a way, as every instrument is given it’s place in the sun and the vocals aren’t in any way impeding upon these fantastically crafted riff melodies.
2022-11-16